Fragments & flow
Pages
A continuous map of atmospheres through twenty-four hours at a rented house near Angoulême — field notes, diary fragments, and chalkboard residue woven into one situationist sentence that loops from night pool to market thresholds, refusing the itinerary while fighting entropy.
A chalkboard photograph kept in the dark until a circular window of light follows the mouse or fingertip — residue only where you look.
A three-part poem of midday heat, travellers at table, and immersion in cool water — from hammock peace and warming glass to the blue hour where silhouettes shape and memories unfold. Visual tone nods to David Hockney’s pool light.
Pool photographs from the holiday archive in an even photo wall — opened by a line about light shaped on the water’s surface, with field-note fragments from songwriting notes in small type distributed among the frames.
Four words in a child’s hand on a dark board — coloured chalk, uneven lines: shine, combine, line, combine. A fragment lifted from the holiday chalk door, minimal and literal.
A full-bleed photograph of the house with a closing line about laughter, conversation and love among friends — history in stone walls across four centuries, and travel onwards.